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Earth · Colour · Light

Cromatica

Colour as material

Colour gives life.Material gives it weight.

Cromatica treats colour not as ornament, but as something vital. Before colour charts, it was ground earth, oxide, ash: it had weight in the hand and a place of origin.

Colour is not what we see first. It is what remains when we stop looking.
Mineral pigments and a face wrapped in lace, opening image of the Cromatica catalogue

Cromatica / The film

The collection, in motion.

2:04 16:9
MaterialPorcelain stoneware · coloured earth effect
Sizes120×120 · 60×120
FinishNatural R10B
SystemFive pairings with Brera

Five worlds

One material.

Cotto brings the warmth that remains. Cipria, diffused light. Ambra, midday. Salvia, the green that stays still. Petrolio, depth. Five worlds share one material.

Five material spreads in Cotto, Cipria, Ambra, Salvia and Petrolio
Vertical atmosphere in Cotto tones

Cromatica

Cotto

The warmth that remains after the sun has passed.
Interior with a Cromatica Cotto surface

Cotto in space

An hour of the day.

On a broad wall, Cotto becomes an hour of the day. Raking light opens it into shifting reds and warms the room without setting it aglow.

Sizes
120×120 · 60×120 cm
Thickness
8,5 mm
Finish
Natural R10B

Decors

Infinito.

The relief appears first as a variation in light, then as a pattern.

Interior with Cromatica Cotto decor
Infinito, Cotto, 60×120 cm
Relief

Infinito

Lace impressed into the material, in low relief and tone on tone. It disappears from afar, then reappears up close.

60×120 cm · A02U
Cromatica Cotto material moodboard

Materials

Seven materials around one earth.

Travertine, dark wood, ceramic, steel and fluted glass hold warmth and coolness together.

  1. Travertine
  2. Dark wood
  3. Ceramic
  4. Steel
  5. Fluted glass
  6. Dry branch
  7. Tone-matched fabric

Noema System

Cotto + Brera Avorio

In the Noema System, Cotto is paired with Brera Avorio.

Cromatica Cotto
Brera Avorio
Vertical atmosphere in Cipria tones

Cromatica

Cipria

The light of dawn, held still on a wall.
Interior with a Cromatica Cipria surface

Cipria in space

Diffused light.

Cipria returns a barely warm glow that heightens the sense of space without making it feel cold.

Sizes
120×120 · 60×120 cm
Thickness
8,5 mm
Finish
Natural R10B

Decors

Segno and Lumen.

Segno’s relief and the light of Lumen’s third firing bring movement to Cipria.

Interior with Cromatica Cipria decor
Segno, Cipria, 60×120 cm
Relief

Segno

Open flowers in relief move across the slab without disturbing its calm.

60×120 cm · A02X
Lumen, Cipria, 60×120 cm
Relief

Lumen

Lumen crosses Cipria with a vertical sequence of third-fired marks. The gold catches the light and introduces a measured rhythm across the surface.

60×120 cm · A03E · Third firing
Cromatica Cipria material moodboard

Materials

Its position comes from context.

Travertine warms Cipria, steel cools it and fluted glass multiplies its light.

  1. Travertine
  2. Dark wood
  3. Ceramic
  4. Steel
  5. Fluted glass
  6. Dry branch
  7. Tone-matched fabric

Noema System

Cipria + Brera Terra

In the Noema System, Cipria is paired with Brera Terra.

Cromatica Cipria
Brera Terra
Vertical atmosphere in Ambra tones

Cromatica

Ambra

The colour that hands know.
Interior with a Cromatica Ambra surface

Ambra in space

Midday held within.

Ambra has absorbed light for hours: almost golden when it receives it, earthy when it loses it.

Sizes
120×120 · 60×120 cm
Thickness
8,5 mm
Finish
Natural R10B

Decors

Ricamo.

A weave the eye reads as workmanship, not as print.

Interior with Cromatica Ambra decor
Ricamo, Ambra, 60×120 cm
Relief

Ricamo

A tone-on-tone geometric weave in low relief, born from the texture of wicker.

60×120 cm · A02V
Cromatica Ambra material moodboard

Materials

Warmth, defined by contrast.

Dark wood defines Ambra, travertine extends it and steel brings back contrast.

  1. Travertine
  2. Dark wood
  3. Ceramic
  4. Steel
  5. Fluted glass
  6. Dry branch
  7. Tone-matched fabric

Noema System

Ambra + Brera Sabbia

In the Noema System, Ambra is paired with Brera Sabbia.

Cromatica Ambra
Brera Sabbia
Vertical atmosphere in Salvia tones

Cromatica

Salvia

The green that rests in shadow and makes it habitable.
Interior with a Cromatica Salvia surface

Salvia in space

Half-light made colour.

Salvia takes in the light and returns it more slowly. It softens contrast and welcomes without comment.

Sizes
120×120 · 60×120 cm
Thickness
8,5 mm
Finish
Natural R10B

Decors

Velo and Volta.

Velo softens the boundary. Volta introduces the movement of third firing.

Interior with Cromatica Salvia decor
Velo, Salvia, 60×120 cm
Relief

Velo

An atmospheric texture rises from the surface like a veil. The hand finds it before the eye.

60×120 cm · A02W
Volta, Salvia, 60×120 cm
Relief

Volta

Volta evokes the rhythm of vaults through a continuous third-fired mark. The thread of gold emerges on the surface and changes intensity with the light.

60×120 cm · A03F · Third firing
Cromatica Salvia material moodboard

Materials

A scale without hierarchy.

Matt ceramic, a dry branch and fluted glass build a scale of greens and greys.

  1. Travertine
  2. Dark wood
  3. Ceramic
  4. Steel
  5. Fluted glass
  6. Dry branch
  7. Tone-matched fabric

Noema System

Salvia + Brera Taupe

In the Noema System, Salvia is paired with Brera Taupe.

Cromatica Salvia
Brera Taupe
Vertical atmosphere in Petrolio tones

Cromatica

Petrolio

Depth is not distance. It is density.
Interior with a Cromatica Petrolio surface

Petrolio in space

Concentrated light.

Petrolio does not colour a wall: it draws it away. In low light, it does not take light away; it concentrates it.

Sizes
120×120 · 60×120 cm
Thickness
8,5 mm
Finish
Natural R10B

Decors

Tetra.

Restrained geometry gives scale and order to a deep wall.

Interior with Cromatica Petrolio decor
Tetra, Petrolio, 60×120 cm
Relief

Tetra

A tone-on-tone architectural grid in relief. It emerges in raking light and remains barely perceptible in frontal light.

60×120 cm · A02Y
Cromatica Petrolio material moodboard

Materials

Materials that return light.

Steel reflects light, travertine carries it, fluted glass breaks it and dark wood deepens it.

  1. Travertine
  2. Dark wood
  3. Ceramic
  4. Steel
  5. Fluted glass
  6. Dry branch
  7. Tone-matched fabric

Noema System

Petrolio + Brera Grigio

In the Noema System, Petrolio is paired with Brera Grigio.

Cromatica Petrolio
Brera Grigio

Ten earths

One material, read in two moments.

Avorio, Sabbia, Taupe, Terra and Grigio are earth before colour. Cotto, Cipria, Ambra, Salvia and Petrolio are the same earth at the moment it takes on colour.

Cotto
Avorio
Ambra
Sabbia
Salvia
Taupe
Cipria
Terra
Petrolio
Grigio

Material up close

The grain does not change.The temperature does.

Range and performance

Technical data.

CROMATICA / CATALOGO

A defined range, five worlds.

Five colours, two sizes, Natural R10B, seven definitive decors, including the third-fired Lumen and Volta, and two coordinated mosaics.

MaterialPorcelain stoneware · coloured earth effect

Porcelain stoneware · UNI EN 14411 · G BIa

SurfaceColoured earth effect · Natural R10B

8.5 mm thickness.

Range5 colours · 2 sizes

Infinito · Segno · Lumen · Ricamo · Velo · Volta · Tetra

Documents

The material continues through time.

Explore the Cromatica catalogue, consult the technical data sheet and use the specification texts.

Cromatica Atlas

Five worlds, beyond the page.

Gestures, interiors, details, people and materials place colour in relation to space.

Cromatica material and Noema mark

Cromatica · Noema Design

Colour, before it becomes a statement.

Five earths take part in the life of a space.

Continue through the collections

BreraMATERIA · MISURA · LUCELythosCALM · CHARACTER · ELEGANCEKairosSTONE · LIGHT · MOMENT