
Infinito
Lace impressed into the material, in low relief and tone on tone. It disappears from afar, then reappears up close.
60×120 cm · A02U





Earth · Colour · Light
Colour as material
Cromatica treats colour not as ornament, but as something vital. Before colour charts, it was ground earth, oxide, ash: it had weight in the hand and a place of origin.
Colour is not what we see first. It is what remains when we stop looking.

Cromatica / The film
Five worlds
Cotto brings the warmth that remains. Cipria, diffused light. Ambra, midday. Salvia, the green that stays still. Petrolio, depth. Five worlds share one material.


Cromatica
The warmth that remains after the sun has passed.

Cotto in space
On a broad wall, Cotto becomes an hour of the day. Raking light opens it into shifting reds and warms the room without setting it aglow.
Decors
The relief appears first as a variation in light, then as a pattern.


Lace impressed into the material, in low relief and tone on tone. It disappears from afar, then reappears up close.
60×120 cm · A02U
Materials
Travertine, dark wood, ceramic, steel and fluted glass hold warmth and coolness together.
Noema System
In the Noema System, Cotto is paired with Brera Avorio.



Cromatica
The light of dawn, held still on a wall.

Cipria in space
Cipria returns a barely warm glow that heightens the sense of space without making it feel cold.
Decors
Segno’s relief and the light of Lumen’s third firing bring movement to Cipria.


Open flowers in relief move across the slab without disturbing its calm.
60×120 cm · A02X
Lumen crosses Cipria with a vertical sequence of third-fired marks. The gold catches the light and introduces a measured rhythm across the surface.
60×120 cm · A03E · Third firing
Materials
Travertine warms Cipria, steel cools it and fluted glass multiplies its light.
Noema System
In the Noema System, Cipria is paired with Brera Terra.



Cromatica
The colour that hands know.

Ambra in space
Ambra has absorbed light for hours: almost golden when it receives it, earthy when it loses it.
Decors
A weave the eye reads as workmanship, not as print.


A tone-on-tone geometric weave in low relief, born from the texture of wicker.
60×120 cm · A02V
Materials
Dark wood defines Ambra, travertine extends it and steel brings back contrast.
Noema System
In the Noema System, Ambra is paired with Brera Sabbia.



Cromatica
The green that rests in shadow and makes it habitable.

Salvia in space
Salvia takes in the light and returns it more slowly. It softens contrast and welcomes without comment.
Decors
Velo softens the boundary. Volta introduces the movement of third firing.


An atmospheric texture rises from the surface like a veil. The hand finds it before the eye.
60×120 cm · A02W
Volta evokes the rhythm of vaults through a continuous third-fired mark. The thread of gold emerges on the surface and changes intensity with the light.
60×120 cm · A03F · Third firing
Materials
Matt ceramic, a dry branch and fluted glass build a scale of greens and greys.
Noema System
In the Noema System, Salvia is paired with Brera Taupe.



Cromatica
Depth is not distance. It is density.

Petrolio in space
Petrolio does not colour a wall: it draws it away. In low light, it does not take light away; it concentrates it.
Decors
Restrained geometry gives scale and order to a deep wall.


A tone-on-tone architectural grid in relief. It emerges in raking light and remains barely perceptible in frontal light.
60×120 cm · A02Y
Materials
Steel reflects light, travertine carries it, fluted glass breaks it and dark wood deepens it.
Noema System
In the Noema System, Petrolio is paired with Brera Grigio.


Ten earths
Avorio, Sabbia, Taupe, Terra and Grigio are earth before colour. Cotto, Cipria, Ambra, Salvia and Petrolio are the same earth at the moment it takes on colour.
Cotto
Avorio
Ambra
Sabbia
Salvia
Taupe
Cipria
Terra
Petrolio
GrigioMaterial up close
The grain does not change.The temperature does.
Range and performance
Five colours, two sizes, Natural R10B, seven definitive decors, including the third-fired Lumen and Volta, and two coordinated mosaics.
Porcelain stoneware · UNI EN 14411 · G BIa
8.5 mm thickness.
Infinito · Segno · Lumen · Ricamo · Velo · Volta · Tetra
Cotto, Cipria, Ambra, Salvia and Petrolio form the complete palette.
120×120 and 60×120 cm field tiles, 8.5 mm thickness, Natural R10B.
8,5 mm · Natural R10B
Codes by colour
8,5 mm · Natural R10B
Codes by colour
Infinito, Segno, Lumen, Ricamo, Velo, Volta and Tetra all have definitive codes and images. Lumen and Volta are third-fired.







Mosaic 5×5 and Listello are mesh-mounted, on 30×30 cm sheets, in every colour.
30×30 cm · mesh-mounted
Codes by colour
30×30 cm · mesh-mounted
Codes by colour
Porcelain stoneware · UNI EN 14411 · G BIa
Scroll horizontally
| Characteristic | Test method | Declared value |
|---|---|---|
| Reaction to fire | Decision 96/603/EC, as amended | A1FL |
| Dimensional characteristics | EN ISO 10545-2 | Compliant |
| Water absorption | EN ISO 10545-3 | ≤0,5% |
| Breaking strength | EN ISO 10545-4 | S ≥1.300 N |
| Modulus of rupture | EN ISO 10545-4 | R ≥35 N/mm² |
| Impact resistance | EN ISO 10545-5 | >0,84 |
| Resistance to deep abrasion | EN ISO 10545-6 | <175 mm³ |
| Coefficient of linear thermal expansion | EN ISO 10545-8 | 6,5 × 10⁻⁶ °C⁻¹ |
| Resistance to thermal shock | EN ISO 10545-9 | Resistant |
| Frost resistance | EN ISO 10545-12 | Resistant |
| Resistance to household chemicals and swimming-pool additives | EN ISO 10545-13 | A |
| Resistance to low concentrations of acids and alkalis | EN ISO 10545-13 | LA |
| Resistance to high concentrations of acids and alkalis | EN ISO 10545-13 | HA |
| Stain resistance | EN ISO 10545-14 | 5 |
| Release of lead and cadmium | EN ISO 10545-15 | Below detection limit |
| Slip resistance, coefficient of friction | DM 236/89 · BCRA | >0,40 Dry · >0,40 Wet |
| Slip resistance, dynamic coefficient of friction | ANSI A326.3 | >0,42 Wet |
| Slip resistance, shod ramp test | DIN 51130 | R10 |
| Slip resistance, barefoot ramp test | DIN 51097 | B |
Packaging data, weights and palletisation: see the current price list.
Seven definitive decors, including third-fired Lumen and Volta.
Supply and installation of Noema Design porcelain stoneware, Cromatica series, coloured earth effect, Natural R10B surface, 8.5 mm thickness, 120×120 or 60×120 cm sizes. Codes: Cotto A025/A026, Cipria A02C/A02D, Ambra A027/A028, Salvia A029/A02A, Petrolio A02E/A02F.
Supply and installation of Noema Design decor, Cromatica series, 60×120 cm, 8.5 mm, Natural R10B, recommended for wall use. Infinito Cotto A02U, Segno Cipria A02X, Ricamo Ambra A02V, Velo Salvia A02W, Tetra Petrolio A02Y. Lumen Cipria A03E and Volta Salvia A03F are third-fired.
Supply and installation of a Noema Design mosaic, Cromatica series, mesh-mounted, 30×30 cm sheet. 5×5, 4.8×4.8 cm tessera, 2 mm joint: Cotto A02G, Cipria A02K, Ambra A02H, Salvia A02J, Petrolio A02M. Listello, 14.8×2.8 cm element, 2 mm joint: Cotto A02N, Cipria A02R, Ambra A02P, Salvia A02Q, Petrolio A02T.
Documents
Explore the Cromatica catalogue, consult the technical data sheet and use the specification texts.
The complete monograph, optimised for digital consultation.
Colours, sizes, codes, decors, mosaics and declared characteristics.
View ↓WEBReady-to-copy texts for field tiles, available decors and mosaics.
View ↓Cromatica Atlas
Gestures, interiors, details, people and materials place colour in relation to space.

Cromatica · Noema Design
Five earths take part in the life of a space.
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